chopin.art
April 7th, 2008henri and the typewriter
xradiograph
henri and the typewriter
November 7, 2006 A Neuroscientific Look at Speaking in Tongues
The passionate, sometimes rhythmic, language-like patter that pours forth from religious people who “speak in tongues” reflects a state of mental possession, many of them say. Now they have some neuroscience to back them up.
Researchers at the University of Pennsylvania took brain images of five women while they spoke in tongues and found that their frontal lobes — the thinking, willful part of the brain through which people control what they do — were relatively quiet, as were the language centers. The regions involved in maintaining self-consciousness were active. The women were not in blind trances, and it was unclear which region was driving the behavior.
Merlin Mann &co. ask about affections.
Oh, dear.
Anybody care to offer/make an accusation?
Prospect Magazine May 2006: Essays: ‘Hammer & tickle’ by Ben Lewis
[….] Soon my volume of Stefanescu’s Ten Years of Romanian Black Humour was joined by 30 or so other collections of communist jokes — such as Reinhard Wagner’s Jokes of East Germany Volume 1-2 (1994/96), and Hammer and Tickle (1980) by Petr Beckmann. The earliest volume I found, Humour Behind the Iron Curtain, was published in 1962 by the Nazi-hunter Simon Wiesenthal, under the pseudonym Mischka Kukin. I wondered if Wiesenthal found communist jokes a diversion from the business of tracking down Nazis, or if they represented to him another struggle against injustice. I also came across a wonderfully overwritten PhD thesis by the Stanford anthropologist Seth Benedict Graham: A Cultural Analysis of the Russo-Soviet Anekdot (anekdot is the Russian word for a political joke). Graham’s earnest academic language suggests the standard theory of the joke as a tool of subversion: “An important reason for the anekdot’s pre-eminence was its capacity to outflank, mimic, debunk, deconstruct, and otherwise critically engage with other genres and texts of all stripes and at all presumed points on the spectrum from resistance to complicity.”
via BoingBoing.
Video: solid potato salad and some stills.
GreenCine Daily: Gyorgy Ligeti, 1923 - 2006.
I rank his soundscapes alongside those of Krystoff Penderecki, but I have an inordinate fondness for his Fluxus/Information Theory piece for 100 metronomes.
Also, on MeFi.
