type.art

March 24th, 2008

Oliver is engaging in some engaging typecasting.

game.art

December 2nd, 2007

via clickopera

wrong.art

October 18th, 2007

you’re doing it completely wrong

(source)

consensus.art

May 7th, 2007

death of wikipedia

watch.art

April 16th, 2007

I wanna watch me some more of neave-tv.

so sue me.

need.art

March 6th, 2007

must haves

cut.art

December 5th, 2006

heads

order.art

September 8th, 2006

books classified by color

study.art

September 7th, 2006

Rick Walker is now making things that move.

overload.art

August 10th, 2006

paris pfeiffer

From Tom Moody.

blur.art

August 3rd, 2006

de-blur

fake.art

August 3rd, 2006

Is that PayPal email real, or just another spam-scam? Send it to spoof@paypal.com for the answer!

look.art

July 20th, 2006

eye-tap-like face-mounted camera

Face-mounted Digi-cam.

watch.art

July 13th, 2006

pyramid cam

wood.art

July 4th, 2006

robots

wireless.art

May 16th, 2006

Royal News: Scranton’s Courthouse Square Now Has Internet Access

That’s great! Only I don’t have a laptop….

ancient-astronomers.art

May 15th, 2006

BBC NEWS | World | Americas | ‘Brazilian Stonehenge’ discovered

net.art

May 15th, 2006

TAKE IT TO THE NET

Take it to the Net is an investigation into a new generation of artists who use the techniques, skills, and aesthetics of the internet as well as digital information transfer in their work. What is or is not conceived of as art is of less importance in an era where the amateur as producer has become the professional. The Internet has opened the floodgates for producers, and the emphasis now lies in the hands of those who access the information.

At last, an title that fits the original derivation of these titles. Which now makes it prosaic.

sigh

spread.art

April 28th, 2006

excellent

Microsoft Excel is a program designed to track and compute information, but here I am using Excel as a drawing tool. These drawings are a part of a series of sixty drawings that I executed (more or less) every day for fifty-eight days. Each drawing is in a new ‘worksheet,’ which is automatically set up as a grid. These drawings were made by changing cell preferences for background color, fill pattern, and border styles and from time to time inserting ‘comment’ boxes and letters or words.

Note: ‘I’ = Danielle Aubert.

implants.art

April 28th, 2006

Gizmodo Gallery: Garnet Hertz

Examining this impending phenomenon through the eyes of the planet’s most complex and abundant creatures: insects and amphibians, is Irvine, California-based, Canadian artist, Garnet Hertz. Hertz’s work explores the belief that despite technology’s increasing independence from human or animal intervention, there is still a part of us that wants some control. From implanting a web server into a dead frog whose limbs can be stimulated to “move” by participants over the Internet in “Experiments in Galvanism”, to putting a live Madagascan hissing Cockroach atop a modified trackball to control a three wheeled robot in “Cockroach Controlled Mobile Robot”, Hertz creates projects that attempt to challenge and deconstruct these notions of technological progress over-stepping human jurisdiction. Gizmodo spoke to Hertz about his intricate animal-machine-hybrids and his overall view on whether or not technological determinism may be influencing the not-so-distant future.