tract.art

April 8th, 2008

LSD

sign.art

April 7th, 2008

hand-painted sign for a vanished restaurant

unlikely.art

October 1st, 2007

central texas meat inspector

otherworld.art

September 17th, 2007

Chris Nakashima-Brown introduces us to the burgeoning Polish ragga-bhangra scene.

YouTube1 YouTube2

What planet and century is this, again?


Yeah, I don’t care, either.

mold.art

July 24th, 2007

Black mold target of City Hall cleanup

read more…

funny.art

June 18th, 2007
  • Q: What’s brown and sticky?
  • A: A stick.

While I think this is the Best Joke of all Time, and my fiancee
contends that is not even a joke (”because it is not funny”*), it
continues to strike me on a visceral/cognitive level. There’s the
schoolboy-glee of the imagined-yet-frustrated response, coupled
with the ontological insistence that an object has (must have?) itself
as a property.

And perhaps it is more of a suggestion. Could a stick not be sticky?
Could a chair lack chairness? My fiancee would readily agree that –
if this is a funny — it lacks funniness.

*does a joke need to be funny, any more than a piece of art be beautiful? Is funny an essential property of joke?

chicken.art

May 16th, 2007

chicken

grass.art

April 6th, 2007

happy easter

final.art

March 15th, 2007

four to the floor

gazember.art

March 13th, 2007

Waszlavik Laszlo stb.

manifesto.art

March 1st, 2007

Defacer at large

defacer manifesto

image source: Village Voice

March 1, 2007
Defacer With Mystery Agenda Is Attacking Street Art
By COLIN MOYNIHAN

Someone out there has a problem with art. Or at least a certain kind of art and artist.

The evidence is the bright green and purple splashes of paint that began appearing on walls in Brooklyn and Manhattan more than a month ago. The carefully aimed blobs obscured or disfigured dozens of pieces of street art created by people who may not be household names, but who have achieved the esteem of peers and some recognition from the mainstream art world. The targets of the paint attacks have included posters, paper cutouts pasted on walls, and images stenciled on the sides of buildings.

Many of the paint splatters were accompanied by messages printed on plain white sheets of paper and pasted near the splatters. Those communiqués appeared to condemn the commodification of art, but it is difficult to be sure what the messages really mean. One reads, in part, “Destroy the museums, in the streets and everywhere.” The author has kept his or her identity a secret.

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underground.art

February 25th, 2007

Olyphant steamed over colliery fire

The fire started in July 2004 when someone set a stolen car on fire and the fire spread to a coal refuse pile then moved underground. The U.S. Office of Surface Mining plans to isolate the 8-acre fire by digging a trench around it and allowing the fire to burn itself out.

See Also: Sinkhole in Guatemala City

kong.art

January 30th, 2007

skullese

fake.art

January 26th, 2007

fake

chewie.art

January 25th, 2007

chewie

star.art

January 25th, 2007

found poetry in the stars

haunted.art

January 18th, 2007

now THAT’s a haunted house

howl.art

January 10th, 2007

Let’s look 4 the purple banana

lang-wedge.art

January 7th, 2007

Nov shmoz ka pop?

glossolalia.art

November 7th, 2006

November 7, 2006 A Neuroscientific Look at Speaking in Tongues

The passionate, sometimes rhythmic, language-like patter that pours forth from religious people who “speak in tongues” reflects a state of mental possession, many of them say. Now they have some neuroscience to back them up.

Researchers at the University of Pennsylvania took brain images of five women while they spoke in tongues and found that their frontal lobes — the thinking, willful part of the brain through which people control what they do — were relatively quiet, as were the language centers. The regions involved in maintaining self-consciousness were active. The women were not in blind trances, and it was unclear which region was driving the behavior.

read more…