emacs.js.second.p.art

May 17th, 2013

See Part One

 

I tried to run init.el from within my existing emacs, but got an error, so I launched it suppressing my config-files

emacs -q -l d:\home\emacs.js\init.el

 

Basically got the following error (although with a longer trace indicating where it had occured):

Debugger entered--Lisp error: (invalid-function (tool-bar-mode -1))
  ((tool-bar-mode -1) (menu-bar-mode -1) (scroll-bar-mode -1))
  (if window-system ((tool-bar-mode -1) (menu-bar-mode -1) (scroll-bar-mode -1)))
  eval((if window-system ((tool-bar-mode -1) (menu-bar-mode -1) (scroll-bar-mode -1))))
  eval-last-sexp-1(nil)
  eval-last-sexp(nil)
  call-interactively(eval-last-sexp nil nil)

 

The root seems to be THIS snippet that doesn’t like to work from appearance.el

 

(if window-system
    ((tool-bar-mode -1)
     (menu-bar-mode -1)
     (scroll-bar-mode -1)))

 

Now, each of those lines can execute individually, but none of them like to execute in that block.

Why is that?

 

Oh, my elisp-fu is woefully faded.

 

hrm. THIS seems to work:

 

(if window-system
    (progn (tool-bar-mode -1)
           (menu-bar-mode -1)
           (scroll-bar-mode -1)))

 

so. I update that.

 

Now,

set-default-font: Font Inconsolata-12′ is not defined

 

jeebus.

 


 

End Part Two

 

read Part One

emacs.js.art

May 17th, 2013

I’m still trying to figure out how I should be using my wiki and my blog – what content goes where?

I’ve been putting a lot more this-is-what-I-did notes into the wiki, and cleaning them up as I redo it/find other/better ways.

I’m going to try putting them HERE in the blog first (in pmwiki-markup), and then clean them up a bit for the wiki.

 

That’s the idea, anyway….

 

This is Part One; read Part Two

 


 

So, I decided to test-install emacs.js

 

NOTE: the installation instructions presume Linux. Because: 1337. Because: Us windows users suck.

Or something like that.

 

NOTE: the notes below are pretty much unedited transcripts of my attempts to get this to work. They are more a reflection on my unfamiliarity with cygwin than they are of the lack of Windows installation docs. Although making this into an ELPA package would solve this problem in one fell swoop.

read more…

todo.art

May 15th, 2013

This is a vague list of some of the things I am currently doing (outside of, you know, “work”)

This is a vague list of some of the things I’m planning on doing (outside of, you know, “work”)

  • More integration between WordPress and PmWiki — ideally, the search in each should be able to search the other.
  • Intermap works better for each.
  • For WordPress, either add widgets to this theme, or get a new theme (gasp!) ???
  • For PmWiki, keep working on the Bootstrap theme, along with alternate styling.
  • Sketches – using LocalStorage, ability to “paint” with words, and store the results.
  • Sketches – use node.js for some utility work, so code and utilities are using the same language (javascript)
  • Sketches – move to public github repo, instead of private bitbucket repo
  • Finish my personal “vanity” site

review.art

May 15th, 2013

One of my texts, 5 emotional spam poems, has been published in The Newark Review 3.0.

Local version, Newark Review version.

This was actually back in January. My blog-posting has been a bit…. slow.

sh0pper.art

May 15th, 2013

subject: ++ J0B 0PEN!NG ++

reply-to: ken.petersen@mail.com
to: [a whole bunch of addresses starting with x]

We are a charter member of the Mystery-shopping Provider’s Association (Ms-PA).
We appreciate your interest on the job opportunity to become a “MysterySH0PPER”.
As a SH0PPER you can work on your spare time for carry out the assignment.
Pay can range US $35O/assignment, at least 2 assignments a week will be assigned.

We will provide you the money for all your evaluation, so that the money order or
payment check will be in a certain amount that’s would be required to cash at your
Bank for remittance the money of your salary and use for your evaluation.

Please fill out the form personal information below if your interested
to start off with this offer and email back to us.

- N a m e :
- A d d r e s s :
- St4te/C!ty/Zip :
- PhoneNumber :
- Sex & Age :
- CurrentJob :
- EmailAddress :

Thanks for responding,and we will wait for your full details.

Sincerely,
KEN PETERSON
Hiring Manager

shutdown.art

February 21st, 2013

Looks like Threeplicate SRL, the company that produced ScrewTurnWiki has shut down completely. I hadn’t realized that.

 

This gives a better understanding as to why they stopped STW development in 2012, and to why they aren’t communicating so much right now.

 

What’s really surprising is that the shutdown appears to have happened in June/July, and communications regarding development hand-over to the community didn’t cease until September (or so).

 

UPDATE 2013.05.15: The STW community is coming together over @ https://stw.codeplex.com

 

now.art

January 27th, 2013

Holy flipping hells, I’m a computer programmer, how awesome is that?!!! There’s bleeps and bloops, and blinking lights, and all sorts of cool stuff (although I must admit, there’s no way the whining sound of a laser printer can compare to the chugging out of green-bar paper).

There ain’t no cheap flying cars, but we are living in the future, it’s pretty well distributed [in my first world] — we’re just blinded by its ubiquity.

cabins.art

January 27th, 2013

FabCab – a little expensive, but beautifully gorgeous. And still cheaper than a full-on house. A nice addition to a middle-sized house on a large-enough plot of land.

ShelterKit – not as fancy as the FabCabs, but cheaper.

flicks.art

January 15th, 2013

I’m tired of opening a new tab for Netflix, waiting for it to load, then typing in whatever I’m searching for.

Netflix has so much JavaScript AJAXY-goodness on it’s page that it takes YEARS to load. Well, seconds. 5 seconds? 10 seconds? AN ETERNITY!

 

And I’m likely to forget what I was looking for in such an abnormal span of time (relative to my attention-spa… oooh, shiny!).

 

So I wrote a FireFox bookmarklet to easily do a search for me.

 

  1. Create a new bookmark
  2. add the code (below) to the location
  3. enter a memorable keyword (like, say “nf”)

 

Now, open a new tab, enter your keyword, followed by your search words, like:

nf downton abbey

 

and you’ll get your results!

 

The code will accept single-quotes, but searches for titles by default, and will probably break if you want to start throwing crap in there.

If you don’t pass in any search-terms, it defaults to the Netflix home-page.

 

It’s simple, but if you have an idea for more functionality, let me know in the comments.

 

javascript:{var loc=”http://movies.netflix.com/”;if(escape(“%s”)){var srch=”%s”.replace(” “,”+”);loc=”http://movies.netflix.com/WiSearch?raw_query=SRCHTERM&ac_category_type=none&ac_rel_posn=-1&ac_abs_posn=-1&v1=SRCHTERM&search_submit=”.replace(/SRCHTERM/g,srch)}location.href=loc}

 

 

joke.art

December 11th, 2012

F**k ‘em.

spam.art

November 27th, 2012

Problems of Plagorism

pkxauwcdp

xrbiucdvm

ncyqkvneo

actishacemi

kkycsgmmx

hrduwwbyc

juffmziqd

 

 

Courteous site. Bookmarked it and infer from today. Hold outgoing broad daylight man)

 

 

WnoyXTXC

npgrUFSii

xgurwqbolr

UQOoVshkg ehtjdw

QnpJQXCWkhw BltcVDOQ

oqmlZYJfz MhqvTUPD

izejXOAyi

 

 

I hoard the text on your websites. Thanks because your all together

 

 

QPX4G2 fuccwddggpje, mikgnudgxmyz, tfrtysnwcltl, http://jtaexqpgtkjc.com/

 

 

Friendly relationship may Coptis groenlandica which usually connections any kisses with all the self-proclaimed industry.

 

 

QwwkLXML

pgzrILOub

zfzuotlmov

ZCYbMmbhi witysw

GizWEIJWhrv JlxiAOSU

fibtAVQid PjjjRFMU

pehsGCWaw

 

 

Cheapest fastest real youtube views

 

 

RurdYWAR

comyOEDfb

kgkqnquljr

VSPeSfjdr yiecji

DfgLSWBLwzd EktjDDRW

oxkbZFKwk SbrcACSV

qwnkTFDjk

 

 

h4Jhcs zpqztjohgpgq, xxvnirjziwkp, hnjrvbrteosf, http://xgfyvedyetlt.com/

G3r5Pr gimyleynsvpf, hvzigtalvhay, eaasxvcdsvmp, http://xnhpqktgugbx.com/

 

 

With havin so much written content do you ever run into any problems of plagorism or copyright infringement?

 

 

 

Selected comment spam.

Brand-names, and bb-code link-markup removed.

See original @ PrantedMutter.ProblemsOfPlagorism

 

ziggurat.art

November 26th, 2012

What is this building?

unidentified building in Bagdad

I saw this burning during the original month of the Iraqi war; I’ve never been able to identify what it is.

I ganked the photo from luxo.com, where it illustrates an article on a forthcoming five-star hotel. But this building predates the war, and I believe that the hotel is new construction.

city.art

October 10th, 2012

from reflections on the St. Louis City Museum (BoingBoing):

 

But here’s the thing about the The City Museum: It is actually built out of the city. It is the city. And the city is ancient.

 

I’m not just talking about “ancient” in American terms. When European explorers showed up on the banks of the Mississippi in 1673, there was already a city at the site of St. Louis — a huge network of mounds and earthworks dating back to the 10th century. Much later, in the late 19th century, this was the location of the fourth largest city in the United States. People are drawn to St. Louis and they have always been drawn to St. Louis.

 

The last 100 years or so are an aberration in that pattern. But what’s 100 years to a 1000-year-old city? Meanwhile, in that blip, The City Museum rises, literally built from the cast-off parts that other people left to rot. The welded metal and the glass mosaic; the ferris wheel and the airplanes; cement and rebar; an entire collection of beautiful, carved cornices and architectural details left over from the heyday of Euro-American St. Louis — it’s all been salvaged from the dying city and pieced back together like a prayer.

 

See Also

City

the ancient city of tlos
(Tlos)

illegal.art

October 5th, 2012

A coordinated rain in NEPA seized a number of illegal video gambling machines:

 

 

Some machines were labeled “Dodge City,” “Monkeyland,” “Crazy Bugs,” and “New Fruit Bonus 96.” The machines were not hidden. Anyone could play.

 

 

 

 

 

New Fruit Bonus 96 is an awesome title.

 

 

Supposedly, a good deal of effort goes into choosing names for video gambling machines.

 

I found a partial list online. Not easy to navigate. I want to gank that set.

 

The best of this list are those that start with numbers:

 

10 Carat Wins
10 Play
100 Ladies
100 Lions
100 Pandas
100 Wolves
2 Can
2 For 1
2X Wild & Crazy
2X3X Red White And Blue
2X3X4X Jade
2X3X4X White Ice
2X3X4X5X Dragon
2X3X4X5X Gold
2X3X4X5X Red Hot Sevens
2X3X4X5X Super Lucky Times Pay
2X3X4X5X Super Times Pay
3 Alarm Fire
3 Level Games
3X 2X Super Sevens
3X 777 2X Free Games
4 Chinese Beasts
5 Bats
5X Diamond
77777 Jackpot
9 Suns

 

text.art

September 28th, 2012

Work on (and from, sadly) TextMunger has slowed down in the past few months. I took a vague break this summer, and am knuckling down on some freelance work this fall. Which leaves even less time for TM work….

 

Still, things have happened, and there are some plans.

 

XRML formatter

The XRML-targeted formatter works a bit better (doesn’t get stuck on zero-punctuation for long periods of time) even if the underlying algorithm still has issues.

 

I’m thinking of rewriting it, or writing another, that would work on multiple-passes over a text-block to allow for vertical text placement a la columns, although hopefully not so dense and delineated to show up rivers of punctuation that delineate actual columns. I would like just enough to encourage a vertical reading, and not just the standard (Western) left-to-right, line-by-line.

 

A simple implementation of a single-pass would be an offset, so that the next word lines up with the start of the last word. Would want to enhance this so that an arbitrary number of words (tokens, whatever) are printed before the next line alignment.

 

Multi-pass is more difficult, as it would include the above, as well as requiring an intake of a previously formatted chunk of text for re-writing.

 

Text library

I’ve done some work on preparing to save lists of selected texts, but it has been exposed to the UI yet.

 

First, because there is no menu-strip in the UI. I think it’s time to address this (as well as scrapping the diagnostics tab).

 

But mainly I think the library-system needs and overhaul. Parsing a nested set of folders for .txt files is fine, but it’s a dumb system. Workable, practical, but literally dumb — it returns texts, but no awareness of those texts. And awareness allows us to sort, etc.

 By author, date, other characteristics. And above all, source — which would be a good thing for citations and acknowledgements.

 

Weighted source texts (for Markov chaining)

I’ve been staring at Edde Addad’s jGnoetry. Not only do I want to integrate some sort of re-processeable template (?) system, weighted texts is a desirable element. I’m constantly irritated by trying to combine two texts — say, Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt and a script for The Wizard of Oz or 1975 Apocalypse Now Workprint, only to find that almost everything is Egyptian due to the massive size of the source. If I could indicate that the Egyptian text, regardless of length should only be considered 30% of the time, I’d be much happier. Currently, I can dump in multiple copies of one text, but that’s a nuisance.

 

Selectable output as re-processable template

As mentioned, jGnoetry has made me want to be able to keep some words|tokens, but regenerate everything else.

 

Not just for markov chaining, however — being able to select any arbitrary rule and apply it to a block of text would be great. This would move the UI to a real alt-text-editor tool. Probably would need a rule-toolbar. Or easy way to select (and edit-on-the-fly?) a given rule for application.

 

rework of the rule selection system

Too many clicks to get to where I want to edit something.

 

(Assignable) hot-keys is one-option. A serious re-thinking of the rule-selection GUI is a must.

 

scratch.art

September 27th, 2012

Rhizome:

Pierre Gordeeff’s The Built From Scratch Apparatus is the general title for a series of projects by Pierre Gordeeff initiated in 2006. Composed of parts salvaged from the trash, yard sales and equipment purchased from bankrupt hospitals, schools and factories, Gordeeff’s work has slowly evolved into an ornate sculpture and light show along with amplified moving parts fed into a mixer.

The Rhizome article also has some audio & video.

Pierre Gordeef’s website

Built from Scratch

I found this via a circuitous vicus of information from the Facebook Weird Instrument Tribe, that also lead to more pics from Robodonien 2012 where the below pics were ganked.

Here’s an auto-translated-from-the-french article that seems to embody some of the spirit of the contraption in its irregularity. If your French is better than mine, or google’s, here’s the original.

rant.art

September 24th, 2012

mansonese

To Marilyn Manson – It’s taken me a long time to get there from where I could touch M. Manson. Now I got a card to play – you may look into my non-profit, ATWA, and give Manson what you think he’s got coming for Air, Trees, Water, and you. Or I will pay Manson what you think Manson got comeing – the music has make Manson into Abraxas Devil, and I’m SURE you would want some of what I got from what I got. It’s a far out balence. Beyond good and bad, right, wrong. What you don’t do is what I will do – what you did a sang along, and let it roll and said how you saved me a lot of steeps – I don’t need, it’s not a need or a want. Couped – coup. Ghost dancers slay together and your just in my grave Sunstroker Corona-coronas-coronae – you seen me from under with it all standing on me. That’s 2 dump trucks – doing the same as CMF 000007

Also, a potential translation.

via BoingBoing

list.art

September 18th, 2012

99 problems (speculative)

 

  1. Worries regarding ‘letting himself go,’ in terms of moral values and physical health.
  2. Increasing trouble accepting the true existence of ‘authenticity,’ of which his identity has been largely based.
  3. Still unable to get through Joyce’s Ulysses; currently on his fourth attempt; contributes to an insecurity that holds he’s “not good enough” and “not intellectual.”

grunge.art

September 17th, 2012

Grungey-type — it’s all about David Carson, innit?

The Awl on Grunge Typography via Boing Boing.

mis dont legi take for bility cation communi
(source)

some ray gun covers by David Carsons
(source)

David Carsons Fast Machine
(source)

David Carsons really didn't like Bryan Ferry
(source)


But what about the mostly-pre-digital Terry Jones?


TypographyOnline profile

Okay, so there was some early digital paintbox stuff going on:

(source)

Terry Jones iD magazine -- Complete Covers from Taschen Books
(source)

Video review of Jones’ Instant Design: A Manual of Graphic Techniques

Terry Jones Instant Design (wink) front cover
(source)

Instant Design @ Abe Books

Terry Jones instant design layout
(source)

Terry Jones instant design layout
(source)

The GoogleBooks entry for Instant Design has no pages available, but their poorly-OCR’d text is a joy to behold:

Best known through his own magazine, i-D, but also internationally recognizedor his work with Italian and German Vogue, Donna, Mexx and Fiorucci, Terryones has been one of the most influential graphic designers of the 1980s.is style, rooted in punk, exemplifies much that is characteristic ofontemporary British design. This book, designed by Jones, explores andxplains “instant design”, the use of readily available techniques such ashotocopying, typewriter faces, Polaroids, handwriting, type and pictureistortion, computers and block graphics. Jones’ current work in televisionnotably Reportage and 01 for London) and video is also covered. Hundreds ofxamples show the extraordinary range and creativity of his output. Captionsnd a multi-layered introduction provide the context for some of the decade’sost copied graphics.

Terry Jones instant design layout 3
(source)

Terry Jones Instant Design back cover
(source)

I first ran into this book in 1993 in the library of the School of Applied Arts in Budapest, Hungary. When I returned to the US I got my own copy of it.

Don’t get me wrong — I also had a David Carson book at one point, and do/did appreciate his/that style. I like the use of type-for-types-sake, it ventures into blurring the boundary between text and image a bit more (something dear to my heart), and highlights that text is image, as well. Both of them are beating the image|text dichotomy, bashing it with sledgehammers (or photocopiers and fontshop, I guess) and saying a hearty “f**k you” to linearity and coherence.

I was very much interested in type and graphic design for a time. Ultimately, I realized (very slowly) that I wasn’t particularly talented in that direction. I’m left with a minor understanding of the art, an appreciation for the difficultly, some strongly-held opinions (not much appreciated by my wife, an actual trained, experienced and skilled graphic designer), and the poorly-designed layout of this blog which is more trouble that it is worth to update.

And the nagging suspicion that I should still be blending the visual layouts of my language-based artwork a bit more….


This has got to be a rough draft, but I’ve been sitting on these notes for three weeks without getting much coherence from them. I may update this post, or I may extend these ideas elsewhere….

critical.art

September 13th, 2012

The ABCs of Critical Theory.

‘F’ is Foucault of ‘Knowledge is Power’.
So remember that phrase when told to ‘Go Shower’
’Cos if you provide some good enough reasons
You can stay dirty for up to three seasons.

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