__                   __
                                      __                    /\ \__               /\ \__
   __      ___ ___      __     ____  /\_\    ___      __    \ \ ,_\    __   __  _\ \ ,_\
 /'__`\  /' __` __`\  /'__`\  /\_ ,`\\/\ \ /' _ `\  /'_ `\   \ \ \/  /'__`\/\ \/'\\ \ \/
/\ \L\.\_/\ \/\ \/\ \/\ \L\.\_\/_/  /_\ \ \/\ \/\ \/\ \L\ \   \ \ \_/\  __/\/>  <' \ \ \_
\ \__/.\_\ \_\ \_\ \_\ \__/.\_\ /\____\\ \_\ \_\ \_\ \____ \   \ \__\ \____\/\_/\_\ \ \__\
 \/__/\/_/\/_/\/_/\/_/\/__/\/_/ \/____/ \/_/\/_/\/_/\/___L\ \   \/__/\/____/\//\/_/  \/__/
                                                      /\____/
                                                      \_/__/

Not sure who did this, but in the future please do not write on the front of PCs with permanent marker.

The number of grids which appear in the film contributes to this “hostility to narrative.”