__                   __
                                      __                    /\ \__               /\ \__
   __      ___ ___      __     ____  /\_\    ___      __    \ \ ,_\    __   __  _\ \ ,_\
 /'__`\  /' __` __`\  /'__`\  /\_ ,`\\/\ \ /' _ `\  /'_ `\   \ \ \/  /'__`\/\ \/'\\ \ \/
/\ \L\.\_/\ \/\ \/\ \/\ \L\.\_\/_/  /_\ \ \/\ \/\ \/\ \L\ \   \ \ \_/\  __/\/>  <' \ \ \_
\ \__/.\_\ \_\ \_\ \_\ \__/.\_\ /\____\\ \_\ \_\ \_\ \____ \   \ \__\ \____\/\_/\_\ \ \__\
 \/__/\/_/\/_/\/_/\/_/\/__/\/_/ \/____/ \/_/\/_/\/_/\/___L\ \   \/__/\/____/\//\/_/  \/__/
                                                      /\____/
                                                      \_/__/
Despite the comedian’s amazement at the backlash against the ringtone, it’s not too surprising that the radical recontextualization of Saucido’s work would lead many observers (including me) to miss the intended satire completely.