He also discusses the narrative grammar of the film as a political thriller. Kennedy’s assassin is offscreen, his presence announced only by the hero and heroine reacting to the gunshots � the president clutching at his throat after the first bullet hits, Mrs. Kennedy at first bewildered and then terrified as he collapses against her, his head shattered. Unlike the shooting of Oswald by Jack Ruby, an eerie echo of Kennedy’s death also caught on film, we never see who the killer is. The limousine passes into a tunnel and the film is over.
I think it’s a positive thing to be able to express yourself in a positive light.
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.2'::` :.:.;,
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